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Robert Peake the Elder : ウィキペディア英語版 | Robert Peake the Elder
Robert Peake the Elder (c. 1551–1619) was an English painter active in the later part of Elizabeth I's reign and for most of the reign of James I. In 1604, he was appointed picture maker to the heir to the throne, Prince Henry; and in 1607, serjeant-painter to King James I – a post he shared with John De Critz.〔Strong, Roy C. "Elizabethan Painting: An Approach Through Inscriptions, 1: Robert Peake the Elder", ''The Burlington Magazine'', Vol. 105, No. 719 (February 1963), 53–57 (retrieved 12 January 2008).〕 Peake is often called "the elder", to distinguish him from his son, the painter and print seller William Peake (c. 1580–1639) and from his grandson, Sir Robert Peake (c. 1605–67), who followed his father into the family print-selling business.〔In the accounts for Prince Henry's funeral, Robert Peake is called "Mr Peake the elder painter" and William Peake "Mr Peake the younger painter". Edmond, ''Hilliard & Oliver'', 155. • Peake’s grandson Sir Robert Peake (sometimes wrongly called his son) was knighted by King Charles I during the English Civil War. The Parliamentarians captured him after their siege of Basing House, which was under his command. Walpole, ''Anecdotes of Painting'', 221.〕 Peake was the only English-born painter of a group of four artists whose workshops were closely connected. The others were De Critz, Marcus Gheeraerts the Younger, and the miniature painter Isaac Oliver. Between 1590 and about 1625, they specialised in brilliantly coloured, full-length "costume pieces" that are unique to England at this time.〔"There is nothing like them in contemporary European painting". Waterhouse, ''Painting in Britain'', 41.〕 It is not always possible to attribute authorship between Peake, De Critz, Gheeraerts and their assistants with certainty.〔Waterhouse, ''Painting in Britain'', 41.〕 ==Career==
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